‘Stars & Screen’ Virtual Symposium

I’m pleased to be giving a presentation on the borderline between Gothic and Noir using the films Ivy and Bedelia at the Cinema & Media History Virtual Symposium, 16 May 2026. Good news: it’s online and free to attend this whole day of presentations on a wide variety of films starting at 10am Eastern Time…

Noir: Flicka och Hyacinter (1950)

This film was mentioned on #filmsky and did not disappoint. A little Laura and a bit of The Seventh Victim, so like the latter should have cautions about it dealing rather grimly with suicide. We’re thrown in media res with people at a sort of party and then we see Dagmar (Eva Henning) leave to…

Matinee: Quiet Please, Murder (1942)

Among the more obscure of films noir: George Sanders (although too little of him), Gail Patrick as the femme fatale she’s always meant to be, and Richard Denning with some well floppy hair. A winner because it’s set in the stolen/forged book racket and mostly in a library. Some library! Not only does it have…

Surreal Noir Ep 5 on YT

EPISODE FIVE [Original air date 24 Nov 21] Episode Five: Noirvember musings include stalkers, loneliness, travel and cows. Well, one cow anyway. This month noir fans watch the whole range of films that fall under that capacious umbrella, often including neo-noir along with the traditional black and white films from the 40s and 50s. *Content cautions for…

#Noirvember – Gladys

GLADYS She was trouble. I didn’t even know how much trouble that gall was. I never suspected that she was behind the things that were going down for years. But then she made her presence known: well known. Put me in the hospital. At least then I knew who I was dealing with. Yet it…

The Screaming Mimi (1958)

I’m not sure why I never got around to seeing this until now — I blame No Context Noir for posting screenshots. I have had the Frederic Brown novel in a glorious paperback that I paid too much for to Hal the Bookie (RIP) because he could be so persuasive and because it was supposed…

The Big Clock (1948)

THE BIG CLOCK (1948) is another John Farrow-directed noir(ish) and quite a bit snappier overall than NIGHT HAS A THOUSAND EYES, though less interesting beyond that slick surface — but what a surface! Milland and Laughton of course, and a criminally underused O’Sullivan, but the shine is in the supporting cast who really give the…

Saturday Matinee: The Night Has a Thousand Eyes (1948)

The Night Has a Thousand Eyes Francis William Bourdillon (b. 1852) THE NIGHT has a thousand eyes, And the day but one; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies When love…

Film for a Friday: Laura (1955) #noir

LAURA (1955) Two words appear absolutely nowhere in this made-for-tv boiled down version of the story: Vera Caspary. Instead we get a ‘Screenplay by Mel Dinelli’ so I conveniently blame him for the lacklustre 43 minutes we have here. Which isn’t really fair, but come on! Erasing the author is never cool and when it’s…

Film for a Friday: The Brasher Doubloon (1947)

THE BRASHER DOUBLOON (1947) There’s a reason this film is not remembered as fondly as other Chandler adaptations: it’s not as good. With lacklustre leads and very little style or ambience, there’s really only the plot to keep you engaged and who goes to Chandler for plot? In smaller roles there’s the always wonderful Florence…