The Screaming Mimi (1958)

I’m not sure why I never got around to seeing this until now — I blame No Context Noir for posting screenshots. I have had the Frederic Brown novel in a glorious paperback that I paid too much for to Hal the Bookie (RIP) because he could be so persuasive and because it was supposed…

The Big Clock (1948)

THE BIG CLOCK (1948) is another John Farrow-directed noir(ish) and quite a bit snappier overall than NIGHT HAS A THOUSAND EYES, though less interesting beyond that slick surface — but what a surface! Milland and Laughton of course, and a criminally underused O’Sullivan, but the shine is in the supporting cast who really give the…

Saturday Matinee: The Night Has a Thousand Eyes (1948)

The Night Has a Thousand Eyes Francis William Bourdillon (b. 1852) THE NIGHT has a thousand eyes, And the day but one; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies When love…

Film for a Friday: Laura (1955) #noir

LAURA (1955) Two words appear absolutely nowhere in this made-for-tv boiled down version of the story: Vera Caspary. Instead we get a ‘Screenplay by Mel Dinelli’ so I conveniently blame him for the lacklustre 43 minutes we have here. Which isn’t really fair, but come on! Erasing the author is never cool and when it’s…

Film for a Friday: The Brasher Doubloon (1947)

THE BRASHER DOUBLOON (1947) There’s a reason this film is not remembered as fondly as other Chandler adaptations: it’s not as good. With lacklustre leads and very little style or ambience, there’s really only the plot to keep you engaged and who goes to Chandler for plot? In smaller roles there’s the always wonderful Florence…

Film Noir Friday: Fallen Angel (1945)

FALLEN ANGEL (1945) Dir Otto Preminger Attempting to capture the magic of Laura the year before, Preminger got Dana Andrews back into a fedora and Joseph LaShelle lensing but no Gene Tierney, alas. Instead we have a ripe Linda Darnell as the bad girl Stella (she shines at night of course) and Alice Faye as…

Sunday Matinee: The Fake (1953)

Another early morning movie with a noir tinge and an art scam — I’m staying on brand for once! I watched another neo-noir last night but am mulling over whether I want to write about it. Yes, two films in a 24-hour period. Who am I? The key is working around dad’s schedule (also ear…

TAROT IN GRESHAM’S NIGHTMARE ALLEY

[N.B. Written when I first heard that GDT was remaking it] When I showed Nightmare Alley to the students in my noir film course, one came up at the end to complain that the tarot readings were way off. I agreed and encouraged him to pick up Gresham’s novel. I assured him that the author cared a…

Neo-Noir: Julia (2008)

JULIA (2008) dir Erick Zonca An A-list star takes a role in a crime film that offers a chance to slum it as a low-life in a downward, drunken spiral amongst the neon flicker of dive bars and low-rent flop houses. A recipe for Oscar-bait — well, if you’re male. If you’re Tilda Swinton, not…

TOA/V: New Shorts from Alan Moore

This week’s entry for Todd’s round up of overlooked audio/visuals is the first two bits of a new project from Alan Moore. Not content with forays into comics, novels, music, magic and publishing, he’s teamed up with Mitch Jenkins to work on a ‘Northampton Noir’ series. Because of course Moore has discovered that NoHo ‘practically…