Before the main feature, a little advert: through the 24th, Trestle Press will be offering a buy one, get one special, which means you can buy It’s a Curse: Drunk on the Moon 7 or Dark Pages: International Noir and get another book the same price for FREE!
I’m cheating a bit on the “overlooked” aspect of today’s choice as it’s a new release. Let us say, it is in danger of being overlooked in a market crowded with Xmas product and far too many soporific X-Factor Idols of Disney uniformity annd blandness. Truly remarkable and independent voices have a hard time being heard at all, let alone getting a decent chance at finding an audience in the overcrowded cacophony that is the net.
And there was a beautiful view
But nobody could see.
Cause everybody on the island
Was saying: Look at me! Look at me!
~ Laurie Anderson, Language Is A Virus
I know I’ve written about Spacedog and Sarah Angliss before; I was so pleased to have a chance to see them perform last June (and yes, I got to play the theremin after the show :-). I’m even more pleased to say that they’ve released a CD Juice for the Baby.Of course I immediately downloaded it as soon as I heard about it (can’t remember if that was on Facebook or Twitter) from Bandcamp.I’m happy to report it’s just as wonderful as the live performance. There’s the ethereal music, theremin, vintage sound clips, and beautiful vocals and recitations all woven together in a seamless waking dream of surreal affect. You can’t see the robots, but you know they’re there.
The songs range from the eerie “Electric Lullabye” and the somehow comfortable “My Death” to the heartbreaking “For Laika” as well as the captivating (and favourite at the moment, because it’s owls) “Owl Club” featuring guest Professor Elemental.And how can I resist a song channeling Tommy Cooper? I can’t, of course. Besides, 25% of the procceeds from that song’s downloads will go to the Entertainment Artistes’ Benevolent Fund, jus’ like that!
This collection is magical: it manages to feel both like a seance with a lost past and an ultra-modern dream. Angliss and her co-horts (which include sister Jenny on vocals and percussionist/composer Stephen Hiscock as well as the guests) bring a sense of wonder to the mechanical and electronic, a glitter of the uncanny which makes the coldness of technology seem warmly alive. Highly recommended!
Be sure to catch all the Overlooked A/V recommendations at Todd’s blog.