Out Now: Respectable Horror!

Respectable Horror - Front cover web
Get ready to stay up late! Respectable Horror is out in the wilds and ready to be lured to your home. Ms Poppy LaMorte (our cover model designed by S. L. Johnson) will lead the way to a spectral crew of authors who are just dying to give you spine-tingling chills. This new collection offers names both familiar and new, writers who believe that it’s possible to terrify without more than a few drops of blood. The wind in the trees, the creak in the floor board, an innocent knock on the door: they’ll all take on a more sinister cast as you turn the pages of this book.

Introduction by K. A. Laity
The Estate of Edward Moorehouse by Ian Burdon
The Feet on the Roof by Anjana Basu
Spooky Girl by Maura McHugh
Recovery by H. V. Chao
The Holy Hour by C. A. Yates
Malefactor by Alan C. Moore
A Splash of Crimson by Catherine Lundoff
In These Rooms by Jonathan Oliver
A Framework by Richard Farren Barber
Running a Few Errands by Su Haddrell
Miss Metcalfe by Ivan Kershner
The Little Beast by Octavia Cade
The Well Wisher by Matthew Pegg
Where Daemons Don’t Tread by Suzanne J. Willis
Full Tote Gods by D. C. White
Those Who Can’t by Rosalind Mosis
The Astartic Arcanum by Carol Borden

Description:

Do serial killers, glistening viscera, oceans of gore and sadistic twists make you yawn behind a polite hand? Are you looking for something a little more interesting than a body count? These are tales that astonish and horrify, bring shivers and leave you breathless. You may be too terrified to find out what happens next – but you won’t be able to resist turning the page. We’ll make you keep the lights on. For a very long time.

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Video: Songs of Defiance

Denied the opportunity to use my fancy schmancy Powerpoint presentation at the performance of ‘Songs of Defiance’ on Monday at the Arts Center, I decided to just record the poem and make it a video. Of course I did it in bits and pieces in between other things so it’s only just now done.

The poem was written after the 2004 election; it originally appeared in the Bayou Review and then in the Occupy Wall Street Poetry Anthology, side by side with a poem from Alessandra Bava. Good company.

Call for Stories: Drag Noir

[A repost from Fox Spirit Books]

Photo via Dangerous Minds (click to see original article)
Photo via Dangerous Minds (click to see original article)

“We’re born naked, and the rest is drag.”
RuPaul, Lettin it All Hang Out: An Autobiography

Drag is a broad concept; noir is a fairly narrow one. Drag can be a way of playing with gender or it can be a matter of survival. In the noir world, it can be almost anything: camouflage, deceit, truth — or a skin to be shed at will.

Otto Penzler has always been really strict in his idea of noir:

Look, noir is about losers. The characters in these existential, nihilistic tales are doomed. They may not die, but they probably should, as the life that awaits them is certain to be so ugly, so lost and lonely, that they’d be better off just curling up and getting it over with. And, let’s face it, they deserve it.

Pretty much everyone in a noir story (or film) is driven by greed, lust, jealousy or alienation, a path that inevitably sucks them into a downward spiral from which they cannot escape. They couldn’t find the exit from their personal highway to hell if flashing neon lights pointed to a town named Hope. It is their own lack of morality that blindly drives them to ruin.

I don’t necessarily agree with everything he says, but I think noir ends up being a fairly bleak place — one where any bit of glamour or adopted power can be worth the gamble of discovery. It may even be worth flaunting it.

Can you tell who’s Dressed to Kill?

As RuPaul advises, “When the going gets tough, the tough reinvent.”

That’s what we want for DRAG NOIR: this is a call for stories where glamour meets grit, where everyone’s wearing a disguise (whether they know it or not) and knowing the players takes a lot more than simply reading the score cards. Maybe everyone’s got something to hide, but they’ve got something to reveal, too. Scratch the surface and explore what secrets lie beneath — it’s bound to cost someone…a lot.

Mercedes McCambridge in ‘A Taste of Evil’

An anthology is not a democracy; it’s a benevolent dictatorship. All editors have their tastes or quirks: if you want a clue to my sensibilities, check out my extensive bibliography and of course, read Weird Noir and Noir Carnival.

Stories should be:

  • Previously unpublished anywhere
  • Not submitted anywhere else
  • Length 3-8K
  • Formatted: Times New Roman, regular, 12 point; 1″ margins; 1 space after full stop; lines spaced 1.5; use paragraph formatting to indent first line not tabs; no header/footer
  • Identified with a title, your name (and pen name identified as such), working email address on the first page: file name should include your surname & the title
  • Submitted in RTF format via email to katelaity at gmail with your name, the story title and total word count included in the body of the email; make sure the Subject line includes “Submission: Drag Noir” + your name
  • Due by March 20, 2014.

We will ask for world-wide print & ebook rights for a year and pay £10 via Paypal plus a copy of the paperback. The fabulous Stephanie Johnson has been persuaded to create another fabulous cover image! We plan to launch the book in July 2014.

Butler Gender