Can they actually be classics if they were deliberately lost? I don’t know, but inspired by Jane Gutter of the Cultural Gutter with all her movie-watching shenanigans, I decided they needed to exist. The hard part was stopping once I started…
A snippet to whet your appetite:
LLAMA RIDERS OF THE SEVENTH MOON (1953)
Despite a cast that included several purebred llamas and enthusiastic jockeys, the film failed to take off—perhaps for the same reasons. Rumour had it that producer Alana Perez refused to work the llamas for the grueling shifts that director Jimenez Arlberg demanded, citing the concerns of the Quechua handler of the beasts who claimed they were never used as mounts at all. Indeed throughout the production it is possible to see llamas doing their best to dislodge riders with bucking, rolling and lying down on top of them. By the end of the shoot, the disgusted breeder took off with his llamas and it became necessary to shoot several key scenes with large dogs. It is to the credit of editor Roberta Santiago that in most of the scenes the change is hardly obvious. However, with the majority of the budget spent on acquiring the llamas, the sets were rushed and poorly constructed. In fact during the infamous crater scene, it is possible to glimpse the surprised crew revealed as one panel of the set falls away. Arlberg’s attempts to connect the script to a Ray Bradbury story for publicity purposes backfired when the angry writer sent him a fake vicuña scarf in retort.
Read the rest here.