Crime Fiction Studies v4n1 Cornell Woolrich and Transmedia Noir Thanks Rob King for editing the collection which puts together a variety of topics, My essay: Transforming Black Alibi‘s Jaguar into The Leopard Man K. A. Laity 4(1), pp. 62–77 Abstract | Full Text | References | PDF/EPUB If your library doesn’t have access, let me know and I can get a copy of my…
Tag: film noir
The Falcon Takes Over (1942)
A loose adaptation of Chandler’s Farewell My Lovely with George Sanders as the Falcon instead of Marlowe, which more or less means the same plot but instead of Marlowe muttering we have Sanders kissing all the girls — almost literally! And he swans about in his white tie and tails about which I’ve no complaint….
The Screaming Mimi (1958)
I’m not sure why I never got around to seeing this until now — I blame No Context Noir for posting screenshots. I have had the Frederic Brown novel in a glorious paperback that I paid too much for to Hal the Bookie (RIP) because he could be so persuasive and because it was supposed…
The Big Clock (1948)
THE BIG CLOCK (1948) is another John Farrow-directed noir(ish) and quite a bit snappier overall than NIGHT HAS A THOUSAND EYES, though less interesting beyond that slick surface — but what a surface! Milland and Laughton of course, and a criminally underused O’Sullivan, but the shine is in the supporting cast who really give the…
Saturday Matinee: The Night Has a Thousand Eyes (1948)
The Night Has a Thousand Eyes Francis William Bourdillon (b. 1852) THE NIGHT has a thousand eyes, And the day but one; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies When love…
Film for a Friday: Laura (1955) #noir
LAURA (1955) Two words appear absolutely nowhere in this made-for-tv boiled down version of the story: Vera Caspary. Instead we get a ‘Screenplay by Mel Dinelli’ so I conveniently blame him for the lacklustre 43 minutes we have here. Which isn’t really fair, but come on! Erasing the author is never cool and when it’s…
Film for a Friday: The Brasher Doubloon (1947)
THE BRASHER DOUBLOON (1947) There’s a reason this film is not remembered as fondly as other Chandler adaptations: it’s not as good. With lacklustre leads and very little style or ambience, there’s really only the plot to keep you engaged and who goes to Chandler for plot? In smaller roles there’s the always wonderful Florence…
Film Noir Friday: Fallen Angel (1945)
FALLEN ANGEL (1945) Dir Otto Preminger Attempting to capture the magic of Laura the year before, Preminger got Dana Andrews back into a fedora and Joseph LaShelle lensing but no Gene Tierney, alas. Instead we have a ripe Linda Darnell as the bad girl Stella (she shines at night of course) and Alice Faye as…
Out Now: Stalking the Stalker
My essay ‘Stalking the Stalker: Jamie Thraves adapting Patricia Highsmith’s The Cry of the Owl‘ is out now in Film International. You can get the essay via your library or purchase from the journal. Thanks Matthew and the crew. Here’s an overview: The 2009 adaptation of Patricia Highsmith’s The Cry of the Owl faces the…
Sunday Matinee: The Fake (1953)
Another early morning movie with a noir tinge and an art scam — I’m staying on brand for once! I watched another neo-noir last night but am mulling over whether I want to write about it. Yes, two films in a 24-hour period. Who am I? The key is working around dad’s schedule (also ear…
K. A. Laity 