Carmilla (2019)

I feel perpetually late to the party on just about everything these days; mirroring real life I suppose as I am always late to any party (because who wants to be first? Unless it’s a good friend and then I get there early to make sure I can talk to them before the party starts…

The Falcon Takes Over (1942)

A loose adaptation of Chandler’s Farewell My Lovely with George Sanders as the Falcon instead of Marlowe, which more or less means the same plot but instead of Marlowe muttering we have Sanders kissing all the girls — almost literally! And he swans about in his white tie and tails about which I’ve no complaint….

Memoria (2021)

I am so glad pal Stephanie urged me to go out and see this when I was feeling tired and dispirited and short on time between returning from Scotland and heading to Michigan. Apparently writer/director Apichatpong Weerasethakul intends to only play this in theatres on tour (though the good news is it’s also described as…

The Screaming Mimi (1958)

I’m not sure why I never got around to seeing this until now — I blame No Context Noir for posting screenshots. I have had the Frederic Brown novel in a glorious paperback that I paid too much for to Hal the Bookie (RIP) because he could be so persuasive and because it was supposed…

The Big Clock (1948)

THE BIG CLOCK (1948) is another John Farrow-directed noir(ish) and quite a bit snappier overall than NIGHT HAS A THOUSAND EYES, though less interesting beyond that slick surface — but what a surface! Milland and Laughton of course, and a criminally underused O’Sullivan, but the shine is in the supporting cast who really give the…

Saturday Matinee: The Night Has a Thousand Eyes (1948)

The Night Has a Thousand Eyes Francis William Bourdillon (b. 1852) THE NIGHT has a thousand eyes, And the day but one; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes, And the heart but one; Yet the light of a whole life dies When love…

Letty Lynton (1932)

LETTY LYNTON (1932) I am on something of a Marie Belloc-Lowndes kick somewhat unexpectedly, though I didn’t write up The Lodger (1944) which I watched recently because I thought I had seen it but I hadn’t. With Merle Oberon as the vivacious Kitty, George Sanders as the sleuthing Inspector Warwick and a swivel-eyed Laird Cregar…

Film for a Friday: Laura (1955) #noir

LAURA (1955) Two words appear absolutely nowhere in this made-for-tv boiled down version of the story: Vera Caspary. Instead we get a ‘Screenplay by Mel Dinelli’ so I conveniently blame him for the lacklustre 43 minutes we have here. Which isn’t really fair, but come on! Erasing the author is never cool and when it’s…

Film for a Friday: The Brasher Doubloon (1947)

THE BRASHER DOUBLOON (1947) There’s a reason this film is not remembered as fondly as other Chandler adaptations: it’s not as good. With lacklustre leads and very little style or ambience, there’s really only the plot to keep you engaged and who goes to Chandler for plot? In smaller roles there’s the always wonderful Florence…

Saturday Matinee: The Clairvoyant (1935)

Apropos for Derby Day (no, the other one, my American friends) I can recommend the early Gainsborough film starring Claude Rains, Fay Wray and Jane Baxter. Rains and Baxter are music hall performers with a mind reader act very familiar to Nightmare Alley fans. It’s a family tradition and they seem happy on the circuit…