Henry Meynell Rheam: The Sorceress (1898)
The Scots Language Centre posted a photo this week that gave me a new motto:
This windae is in a leebrary in Aigle (‘Edzell’) in Angus. Caw cannie an flee laich is an auld saw that micht be set in Inglis as “Go carefully and don’t take on too much.” Tak tent that the ‘apologetic apostrophe’ kythes in the spellings here. The spelling laigh shuid be soondit as ‘lay-ch’ (wi the ‘ch’ as in loch).
Photie taen bi Steve Murdoch.
The Proverbs of Scotland give a slightly different version:
And I was struck by a similar note in Jessica Abel’s email today (if you’re not following her posts on making a success of your creative life, you’re missing out) lamenting how easy it is to forget these resolutions:
I keep telling you that taking on too much is a recipe for things not happening, so why do I think I’m immune? I’m coughing my lungs up; I’m clearly not immune to anything. Life has taught me this lesson over and over again. When will I learn?
I am doing better on the whole at not taking on ever-more stuff. I know that seems ironic given yesterday’s announcement, but the way I’m handling that project is the model for how to do things now: clear timelines (giving myself space to finish what I’m working on now), careful collaboration with trusted people (knowing you can count on people is half the battle), not doing everything myself (this is opening the doors for others).
But there are always temptations: the more I delve into Medieval Scots literature and culture, the more intrigues I find, like Nicnevin and the Weird Sisters…
Although a classic I’d not read this novel before, but stumbling across it at the Oxfam Bookshop this winter, I found the combination of the title and the folk horror revival vibe in Michael Heslop’s cover irresistible. Will is the seventh son of a seventh son, which he did not know as one of his brothers died very young. He’s been born to a special task, uniting the forces of light against the darkness:
‘It is a burden,’ Merriman said. ‘Make no mistake about that. Any great gift of power or talent is a burden, and this more than any, and you will often long to be free of it.’
It’s full of history, pagan symbols and eternal struggles. The struggle of dark against light is rather simplistic as many myths are. The contempt for women is striking within the narrative: ‘typical females’ are silly. There are maiden, mother and crone for symbolic purposes, but the maiden has to be rescued by Will, the mother falls and sprains her ankle to provide emotional ammunition and the crone has to be brought back by Will as well. Not that any of the characters are especially well drawn: they’re just pegs to carry the narrative forward, and it moves at a good clip.
This sounds more negative than it is in sum. The vivid scenes of magic and myth really leap off the page. The mysterious mask, the snow that falls for days, the almost sentient fire Will discovers in the past all offer a thrill. Her poetry sings:
Fire on the mountain shall find the harp of gold
Played to wake the Sleepers, oldest of the old;
Power from the green witch, lost beneath the sea;
All shall find the light at last, silver on the tree.
The Wild Hunt at the end that awakens Herne is truly magnificent. We all need inspiration to fight the dark that is rising now. There’s much to inspire here.
See all the overlooked gems at
Patti’s blog make that Todd’s blog.
Click the picture: today only, get Hard-Boiled Witch 2: Toil and Trouble for free — then pick up the others for just 99¢/99p each. Celebrate #FolkloreThursday by following the hashtag on Twitter or dropping by their Facebook page.
Hecate Sidlaw finds herself caught between a wannabe witch and one of the oldest hereditary powers in the land. When she and her familiar Henry end up as seconds in a magical duel, will anyone be left standing at the end of the shootout? Enter the dark streets and weird magic of HARD-BOILED WITCH and your life will never be quite the same. This is the second episode in the short story series.
The days are just packed! So forgive me if I offer a little repeat: my first two posts for Witches & Pagans as ‘History Witch’ dealt with Anglo-Saxon traditions of magic and healing. Just the thing for the #FolkloreThursday madness.
Check out all my posts at W&P to find out about magical history. Or you could just buy Rook Chant (click image):
From Leechdom, Wortcunning and Starcraft of Early England, a compendium of wonderful folk knowledge of early Anglo-Saxon England, a charm using bread [hláf] hallowed on August 1st [hláfmæsse-dæg] the traditional grain harvest day:
Summer’s last hurrah this month: in sunny Dundee the flowers still bloom:
But the rowan berries have come too, and they spell my doom:
Last Monday I headed down to London to catch a few exhibits. My first stop after dropping things at my hotel was to drop by the Royal College of Physicians to see John Dee’s Library. The RCP gave me strong sense of dejá vu for my Harvard Med years, where the rich and powerful men sat around dark paneled rooms making rules and plans. This is the Censors Room where decisions were made about who was allowed to practice medicine.
It was difficult to take much in the way of pictures, what with the low light and no flash allowed. Most of the cases were covered my light-obscuring cloths to protect the books. It was interesting to see what Dee had collected, but mostly how he had annotated the volumes with his own thoughts (click to embiggen). Familiar items from the British Museum were there, too, including his scrying mirror and its case.
I had to have a tag to identify me as a visitor. They had several conferences going on at the same time. I didn’t quite manage to slip into the tea and cakes that were out for one of them.
There’s a wonderful series of gardens, too. They had a Shakespeare theme going on in the foliage, highlighting plants that appeared in the plays (oddly enough the Bard became a theme for my week).
More to come of course —