If like me you have not been able to catch the live version of Joanne Harris’ #storytime, you’ll be glad to know that this CD captures the experience rather well (I suspect). Music, song and story blend together to create a magical experience with the freshness of a live performance.
Folktale aficionados will find Harris’ stories to be in a familiar vein that we have all imbibed since childhood. Yet her fairytale narratives offer original takes on those tropes that will surprise and delight you. If you follow @JoanneChocolat on Twitter you know her impromtu #storytime threads are always surprising, often timely and generally hook you quickly.
This CD gives me ideas — always a good sign.
Buy the CD direct for just £5 and get it personalised.
Sneaking into the last few hours of #FolkloreThursday and finally sharing a bit about the Charms Conference I went to last month at Harvard. It was great: even better, there’s a proposed proceedings volume in the works so you may be able to share some of the exciting things I heard and saw that weekend. It doesn’t include a CD alas, so you won’t hear me singing a medieval charm* but I will write about the process involved. More pix going on the ‘book.
*Given the enthusiastic response, I am working on recording some medieval charms in a variety of ways. More to come —
Cities and Memory have a new project up which includes my photography! Check it out to find a fascinating random connection between art and sound, evoking a sense of place from images anchored to a specific location inspiring sounds that know no bounds.
I love it when a plan comes together. Wander through the memories and sounds…or scroll down to Scotland to find my Orkney picture.
A whirlwind weekend which included the QoE, Marko, Elena & Rod, the Gorey Exhibit at the Athenaeum, as well as recording with Julie & Eric (and the cats!) at the fabulous Cool Ranch Studio. Yes, exciting things to come, but secret for now…
What better way to wrap up Women in Horror Month? The final chapter of The Blood Red Experiment is out now! Read the exciting conclusion of Madonna of the Wasps and all the gialli in this collection. The breakneck pace whips along to the unexpected end — how will all the threads be brought together? It’s a mystery!
Buy it here.
The SpeakEasy dames are hosting Ione’s Dream Festival this week: check it out on Facebook. Here’s tonight’s entry by singer-songwriter Julie Beman:
“Memory This” is a song about two dreams, but it also sounds dreamlike due to various production choices made during development and engineering.
The song opens with a mellotron, moody and wonky; its sound is a staple of both science fiction and prog rock and its “out-of-tune-y-ness” serves to destabilize. The piano brings in a feeling of being grounded, but only until the vocal, awash in reverb and delay, introduces a dream. After four lines the vocal splits into elaborate harmonies. As all of the parts are sung by the same person, there is a hall-of-mirrors quality to them; one person has multiplied into many. Strings are typical dream-fare. Panning moves the sound in space, denying it an opportunity to “land.” The song ends with an improvisation, an act of creation that will happen only once, much like a dream.
The SpeakEasy dames are hosting Ione’s Dream Festival this week: check it out on Facebook. Today’s entry by Lys Guillorn, singer-songwriter and all around great gal, can be found at her website. Here’s a taste:
I trust my dreams to reveal aspects of reality that I can’t access in waking life. The shuffle of influences, information, and stimuli creates new combinations in music, writing, and visual art impossible to activate with my waking mind. My dreaming self is my most constant collaborator… [read the rest here]