See Emily Play

2017-10-27 11.27.31The last event for me in October was NEPCA at UMass-Amherst where I gave a presentation on Elisabeth Sanxay Holding’s The Blank Wall; at PCA National this spring I’ll be talking about the film adaptations, too. I also finally visited Emily Dickinson’s house. Despite living in New England for many years, I had not managed to get there.

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It was magic, as you might imagine. I didn’t know this enigmatic middle child had auburn hair. It was odd to see furniture that was like the vintage stuff Robert has bought for our house which is about the same age as the Dickinson house. Her actual bed is there, reproductions of some of her letters and the many scraps of odd paper on which she wrote in flashes of imagination before revising over and over.


Down a well-worn path next door her brother and sister-in-law lived in The Evergreens with a mad swirl of activity. Unlike the increasingly retiring poet, they hosted soirees and had a bowl full of visiting cards. They also stuffed the house with art, many from the Hudson River Valley school as well as landscapes and ‘orientalist’ works. Our lively guide Keeley not only filled in the history about various objects and rooms but quoted from the poems often. The words rang vividly in the places the poet had lived and loved. Make the time to visit. I plan to go back when I can do so more leisurely.

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Occult Humanities Conference 2017


I headed down to the city on a day that started out dark but became rather lovely. I saw the lovely Katja and her kitties: she’s the hostess with the mostest. We had a lovely dinner at Veselka, too. I saw a couple of the Ai Weiwei installations too. There are always sights to see in NYC including the 777 exhibit by Jen DeNike & Damien Echols and of course there was the third Occult Humanities Conference, which proved most inspirational in all kinds of ways. More photos on the ‘book — I’m thinking of trying Instagram: pros or cons you care to offer?

Make note: next April the 100th anniversary celebration of Leonora Carrington in Mexico City. I may need to get to that. Road trip, anyone? I’ve not been there before. Only along the border.

I forgot to take pictures of the lovely exhibit by Tin Can Forest, but you can see a lot of their art online. They did the fabulous What is a Witch with conference co-host Pam Grossman.

Tomorrow I’m talking on medieval charms at ISATMA. Free and open, including the concerts honouring the late Pauline Oliveros.

Salem: It’s Alive

I finally joined my gals’ annual Salem jaunt. A tough time of year for me to get away, but I promised them this year I would go. We had a lot of fun and good eats, and there was a fantastic exhibit on at the Peabody. More pics on the ‘book.

Suomenlinna

During @WorldCon75 I played hookey for a day to go to Suomenlinna, the island in Helsinki’s harbour with my friend and ‘borrowed cousin’ Laura. It was a beautiful day, but as I got to the harbour I saw there was a thick bank of fog over the water. It made the day a little more magical. Here are a few pictures (more in the album on FB). Magpies, white cheek geese, wild flowers, cake, and the Toy Museum, which veered from interesting nostalgia to outright nightmarish!

Huis Clos: 17 July 2017

My first night in London after the conference I went to a much anticipated show where I finally got to meet Richard Sanderson of Linear Obsessional Recordings and hear him play. It was great! We had fun chatting before and after the performance (Mr B’s ears must have been ringing burning 😉 heh). The performance was utterly absorbing and the space, Iklectik, was really terrific and completely unexpected–goats in central London! Also, there were unexpected Blake mosaics. I was chatting with a friend of Richard’s after and it struck me why I find this kind of music so appealing at present: it requires all your attention without words. Anything that quiets my overbusy brain is good. More pix on FB of course.

Huis Clos: an evening exploring the subtleties of larger group improvisation (first as a whole, then as two ensembles)

Ed Lucas: trombone
Antonio Acunzo: piano
Joe Wright: saxophone
Jordan Muscatello: double bass
Richard Sanderson: Melodeon
Dan Powell: electronics
James O’Sullivan: electric guitar
Chris Prosser: violin

 

 

Hampton Court Palace

After all these years I finally visited; mostly it was to see the gardens, though I was pleased to see the Caravaggio, too. The whole album is on Farcebook if you want to see more.

Southbound

kingston kenI am bound for London — well, actually Kingston-on-Thames first for the conference. Never been to this campus before but it looks lovely. I’ll be near Hampton Court so I might finally go there. The Royal Horticulture Society had a big show there: the gardens are bound to be lovely.

Of course the conference ought to be a blast. I really get to enjoy it because I am the first speaker after the welcome! Heh, that makes a difference from going in the last panel of the last day. Far more relaxing. All the papers look interesting — after all, it’s Ken Russell!

I’ll be flying down which is a change. Rail tickets have gone up so much it was actually cheaper (not to mention quicker). Going by way of Surbiton which always puts me in mind of Monty Python.

I will have adventures to share, of course: at least a couple of concerts in London afterward, too. I will doubtless share my opinions here. In the meantime I’m just glad to have my paper finished well before time!

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Representing the skulk always!