During @WorldCon75 I played hookey for a day to go to Suomenlinna, the island in Helsinki’s harbour with my friend and ‘borrowed cousin’ Laura. It was a beautiful day, but as I got to the harbour I saw there was a thick bank of fog over the water. It made the day a little more magical. Here are a few pictures (more in the album on FB). Magpies, white cheek geese, wild flowers, cake, and the Toy Museum, which veered from interesting nostalgia to outright nightmarish!
My first night in London after the conference I went to a much anticipated show where I finally got to meet Richard Sanderson of Linear Obsessional Recordings and hear him play. It was great! We had fun chatting before and after the performance (Mr B’s ears must have been
ringing burning 😉 heh). The performance was utterly absorbing and the space, Iklectik, was really terrific and completely unexpected–goats in central London! Also, there were unexpected Blake mosaics. I was chatting with a friend of Richard’s after and it struck me why I find this kind of music so appealing at present: it requires all your attention without words. Anything that quiets my overbusy brain is good. More pix on FB of course.
Huis Clos: an evening exploring the subtleties of larger group improvisation (first as a whole, then as two ensembles)
Ed Lucas: trombone
Antonio Acunzo: piano
Joe Wright: saxophone
Jordan Muscatello: double bass
Richard Sanderson: Melodeon
Dan Powell: electronics
James O’Sullivan: electric guitar
Chris Prosser: violin
I am bound for London — well, actually Kingston-on-Thames first for the conference. Never been to this campus before but it looks lovely. I’ll be near Hampton Court so I might finally go there. The Royal Horticulture Society had a big show there: the gardens are bound to be lovely.
Of course the conference ought to be a blast. I really get to enjoy it because I am the first speaker after the welcome! Heh, that makes a difference from going in the last panel of the last day. Far more relaxing. All the papers look interesting — after all, it’s Ken Russell!
I’ll be flying down which is a change. Rail tickets have gone up so much it was actually cheaper (not to mention quicker). Going by way of Surbiton which always puts me in mind of Monty Python.
I will have adventures to share, of course: at least a couple of concerts in London afterward, too. I will doubtless share my opinions here. In the meantime I’m just glad to have my paper finished well before time!
Back to Scotland: the big trek is even bigger this time around. Albany to Philly to Manchester then Edinburgh where I’ll catch the train to Dundee. Depending on how timing works, I will either catch up with my family at Granddad’s or back at the house. As usual, I’m still packing. It’s been so hot here in NY that I have to remind myself it’s going to be (gloriously) cooler in Dundee. Hurrah 🙂 It’s been a taxing year. Happy to escape.
The fabulous Byron Ballard (forensic folklorist & village witch) suggested putting together an anthology of women’s travel writing to be called My Wandering Uterus. And while I continue to say, ‘No more editing jobs!’ somehow I have been roped into this project. So here is the call:
We seek essays, stories and poetry about your experiences of being a woman on the road — the joys, the perils, the lessons, the changes. Whether a spiritual pilgrimage or a forced evacuation, in pursuit of opportunity or escape from your past, travel broadens. What have you learned?
We would like to see a diverse treasure trove of entries from women across the globe from every walk of life and as many different experiences as possible. If you no longer have a uterus or were born without one, never fear: all women are welcome.
Submissions should be:
- Previously unpublished anywhere
- Not submitted anywhere else
- Length 3-8K prose/3-4 pp poetry
- Formatted: Times New Roman, regular, 12 point; 1″ margins; 1 space after full stop; lines spaced 1.5; use paragraph formatting to indent first line not tabs; no header/footer
- Identified with a title, your name (and pen name identified as such), working email address on the first page: the file name should include your surname & the title
- Submitted in DOC, DOCX or RTF format via email to victoriasquid at gmail with your name, the story title and total word count included in the body of the email; make sure the Subject line includes “Submission: Traveling Uterus” + your name
- Due by July 1, 2017.
We will ask for world-wide print & ebook rights for a year and pay at minimum $10 via Paypal plus give you a copy of the book. We hope to do some fundraising to make the payments more generous but that will be determined as we go along.
Good news: we have already hired the amazing Stephanie Johnson to do the cover art!
If you need a little background on the concept of the ‘wandering uterus’ as a diagnosis to control women, please read this wonderful piece.
Spring break has mostly been work but I did manage to make another escape to spend the day with the fabulous Stephanie down in the city. Just before another collaboration escapes on Monday, Respectable Horror, which I edited and she supplied the wonderful cover art featuring cover model Poppy. She’s not just skin and bones either!
More photos in a FB album — they’d take up too much of my storage space here — but here’s a few highlights which included stops at the NYPL, Society of Illustrators and the Met as well as fine Belgian and Thai food. Click to embiggen any of the images.