On the Road Again

It’s Easter so the pop culture scholars gather at PCA: this year it’s in Indianapolis so my big plan is to finally see the Vonnegut Library. I’m rooming with gal pal Miss Wendy and we’ve already caught up with some friends the first night. Busy busy, busy, as Bokononists say.

Spreading the word of my wandering women as I go, of course! I’m giving a paper on Elisabeth Sanxay Holding’s The Blank Wall and the 2001 adaptation The Deep End.

Horror, The Fall & other news

Mark E Smith of the FallOut now:

Over on the Fox Spirit Books blog I get to kick off Women of Horror month with a piece on The Haunting of Hill House, one of the finest novels ever written. Go read it (my piece and the novel).

I have a piece ‘The Three Rs’ over at 3AM Magazine. I had written for another thing that fell apart but it suited as a kind of encomium for Mark E. Smith. More to come doubtless as there are many things floating around in my head.

Chapter 4 of Madonna of the Wasps is out: chapter 5 at the end of the month. If you want to have a print copy, I have good news coming soon.

You listened to the radio show, right? Feel free to let WGXC know you liked it.

UPDATE: I am always forgetting to share my History Witch posts: most recently Sounding Out the Water Elf (another bit in my thinking about the sound of charms which I’ll be talking about at the Harvard conference in April).

NEXT WEEK: The SpeakEasy dames and I will be guest hosts at Ione’s Annual Dream Festival next week. If you’re on Facebook, join us talking and thinking about dreams and how they affect our waking lives. Some of the posts will be here as well. Starts on Monday!

Forthcoming Publications:

Twice Reviled: Medieval Fact & Fantasy.’ Out of the Cloister: Lone Medievalists Making the Middle Ages Matter: forthcoming piece on what it’s like to be the lone medievalist in a department as well as a fiction writing-lit prof (hint: even people in academia like you to stick to one category or the other).

The Unlikely Milliner & The Magician of Threadneedle-Street.” Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: forthcoming essay on the use of tarot in Susanna Clarke’s Jonathan Strange & Mr Norrell — yes, yet another piece on that book so I suspect I may well end up writing a book about it.

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Travel: after a break of [cough] years, I’ll be heading to Kalamazoo for the annual Medieval Congress. Looking forward to my first paper on Rauf Coilyear, one of my new obsessions. I feel a little sad because I think the last time I was at the ‘Zoo was when I got to hang out with Kathryn Fernquist Hinds, who died suddenly this week. Her husband Arthur has asked those honouring her memory to make donations in her name to Planned Parenthood or the ACLU. You might also want to read her books.

I hope to go to MAMO as well: this year it will be in Rome. We shall see. Finances always questionable — and of course, I need to get accepted! But a scheme afoot to catch up with Alexandra Bava naturally and Dan Curley who I think might be there as well in November.

[Fill in the elventy thousand things I have forgotten to mention or haven’t finished]

Oh, and I have more Edinburgh pictures to share: must remember to do so!

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Occult Humanities Conference 2017


I headed down to the city on a day that started out dark but became rather lovely. I saw the lovely Katja and her kitties: she’s the hostess with the mostest. We had a lovely dinner at Veselka, too. I saw a couple of the Ai Weiwei installations too. There are always sights to see in NYC including the 777 exhibit by Jen DeNike & Damien Echols and of course there was the third Occult Humanities Conference, which proved most inspirational in all kinds of ways. More photos on the ‘book — I’m thinking of trying Instagram: pros or cons you care to offer?

Make note: next April the 100th anniversary celebration of Leonora Carrington in Mexico City. I may need to get to that. Road trip, anyone? I’ve not been there before. Only along the border.

I forgot to take pictures of the lovely exhibit by Tin Can Forest, but you can see a lot of their art online. They did the fabulous What is a Witch with conference co-host Pam Grossman.

Tomorrow I’m talking on medieval charms at ISATMA. Free and open, including the concerts honouring the late Pauline Oliveros.

ISATMA 2017

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When I saw Pauline Oliveros about a year ago I didn’t know it would be the last time. Her concert with the International Contemporary Ensemble at Bard’s Fisher Center was –as she always was — riveting and compelling. Hearing about her new work with assistive technology for music (she had just come back from Norway) was fascinating and very moving. As I had begun finding ways to move my fascination with sound into my scholarly work, it expanded further my thoughts in that direction.

So I’m pleased to say that I will be part of the upcoming ISATMA conference at RPI’s EMPAC, talking about medieval magic and music in charms. More on the free conference which includes a tribute concert for Oliveros:

5th Annual International Symposium on Adaptive Technology in Music and Art (ISATMA), Rensselaer Polytechnic Institute

“EXPANDING THE IMPROVISING COMMUNITY ACROSS ABILITIES, BODIES, CULTURES”

October 20-22, 2017

The Craig H. Neilsen Foundation supports the The International Symposium on Assistive Technology for Music and Art (ISATMA), a conference devoted to new technologies and artistic concepts for artists across abilities to create new multi-media works. This symposium, hosted by the Center for Cognition, Communication, and Culture, showcases adaptive musical interfaces in an immersive telepresence environment which celebrates international collaborations and limit-defying improvisations. Expanding the improvising community aims to stretch social, perceptual, and cultural differences potentially generative of creative transformation: of music, of community, of consciousness.

Download the press release (PDF).

Pauline will be there in spirit at least as her legacy expands.

Pauline Oliveros Listening all the time

Huis Clos: 17 July 2017

My first night in London after the conference I went to a much anticipated show where I finally got to meet Richard Sanderson of Linear Obsessional Recordings and hear him play. It was great! We had fun chatting before and after the performance (Mr B’s ears must have been ringing burning 😉 heh). The performance was utterly absorbing and the space, Iklectik, was really terrific and completely unexpected–goats in central London! Also, there were unexpected Blake mosaics. I was chatting with a friend of Richard’s after and it struck me why I find this kind of music so appealing at present: it requires all your attention without words. Anything that quiets my overbusy brain is good. More pix on FB of course.

Huis Clos: an evening exploring the subtleties of larger group improvisation (first as a whole, then as two ensembles)

Ed Lucas: trombone
Antonio Acunzo: piano
Joe Wright: saxophone
Jordan Muscatello: double bass
Richard Sanderson: Melodeon
Dan Powell: electronics
James O’Sullivan: electric guitar
Chris Prosser: violin

 

 

My Schedule @Worldcon75

header-1200x200WorldCon in Helsinki is coming up shockingly soon. Hope to see you there. I’m unlikely to have much time to post while I’m there, but I’m sure to be tweeting. I hope to meet up with a lot of friends I’ve not seen in a while (relatives, too!). My schedule is conveniently grouped for single day attendance (though I’m arriving Wednesday night):

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For the academic track I will be talking once again about Susanna Clarke’s Jonathan Strange & Mr Norrell (yes, when I get obsessed, I stay obsessed to adapt John Irving’s words). The title of my presentation is ‘Lollard Magician: Jonathan Strange & the Reform of English Magic’ so you can get a sense of where it’s going (assuming you know who Wycliffe is).

But I better get back to finishing it —

Ken Russell: Perspectives, Reception & Legacy

I was fortunate to attend this ground-breaking conference and experience all its delights. Here are a few pictures (the rest on Facebook). Host Matt Melia is looking into publishing the proceedings, so I’ll certainly let you know when that happens. There was a really high ratio of excellence, as might be expected with many people waiting years to have a opportunity like this: really a terrific bunch of folks. I finally got to meet the lovely Lisi face to face and we were all graced with Murray Melvin‘s stellar presence. Yes, I got to hold Ken’s Peruvian madonna.