I dropped by the DCA to check out the latest exhibit by Eve Fowler, ‘What a Slight. What a Sound. What a Universal Shudder’ — pieces all influenced by Gertrude Stein’s writings. I was unprepared for how hard it hit, even in the first piece, ‘with it which is as it if it is to be’ — disorienting because you step through black out curtains into a darkened room. I have poor night vision so I had to stand there for a moment. I was instantly mesmerised:
This 16mm work is an intimate portrait of some of Fowler’s closest friends in the LA artistic community: the camera focuses on several female artists working in their studios with an accompanying soundtrack of their voices reading from Stein’s 1910 text Many Many Women. Yin Ho, writing in Artforum, described this film as “a quietly explosive work: a subtle, simple document of female camaraderie and process, and the subdued magic of everyday life.”
We so seldom value woman–full stop, yes–but especially as artists. Think of all the loving docos of male artists in all their seriousness. The attention to technique, the fawning po-faced attachment to their importance. To see these women creating like this while Stein’s words echoed filled me with such a joy. I needed this. I need to see these women working. I need it to keep working myself.
‘This one is one and she is that one. Each one is one. There are many. Each one is different from any other one.’
I finally understand Stein and her orality. I think delving much more into sound studies has helped my brain make that connection. When I was first exposed to her back in my younger, literalist days, I could only approach her in literary terms. A big misunderstanding.
I need to go back and see it again. Great exhibition.
Corinne Mikael West
Thanks to the fabulous Pam Grossman mentioning this in an interview, I have been recharged by the great quote from the always delightful Tori Amos:
“You have to out-create the destruction
– it’s the only way.”
(By the by, have you been listening to Native Invader? It’s really terrific.)
I realise that this is what I feel subconsciously in these (make no mistake about it) perilous times. Yes, work to undo the evil at every step. Yes, raise our voices in protest, in resistance, in outrage at the seemingly endless venal obscenities!
But I am not a politician. I am not an organiser. I am a creator and I will create because that is my path of resistance. Create and re-create everything they try to destroy. Create the community and its strength that we need. Create the vision that will give us hope. Make every day a resounding yes to all that they claim is impossible. Do not give in to their selfish mediocrity.
I’ve been filling the well of my head with artists like Corinne Mikael/Michelle West (I love this image because it looks like she’s lecturing on how abstract-expressionism will sort things out) and of course my trimulierate Varo, Carrington and Fini. Reading The Militant Muse which has fed that need for examples of unruly artists making their way through explosive, soul-sapping times. Hanging on to the hope of a better future:
“When the heroic male narratives of modernism begin to fade, we may, eventually, be ready to recognize this amazingly idiosyncratic body of work.”
Prophetic words on Hedda Sterne but much more widely applicable, I hope, in the coming days.
The Beano takes over museum,
but there’s also a portraits show
on and of course old favourites — possibly obsessing a little too much about Duncan
, but there it is.
Cities and Memory have a new project up which includes my photography! Check it out to find a fascinating random connection between art and sound, evoking a sense of place from images anchored to a specific location inspiring sounds that know no bounds.
I love it when a plan comes together. Wander through the memories and sounds…or scroll down to Scotland to find my Orkney picture.
On the town (NYC naturally) with the QoE at the Met, in the park, sharing Amity, and a drink with Katya. More pix on the ‘book.
My Wandering Uterus: tales of traveling while female
Edited by K. A. Laity, Foreword by H. Byron Ballard, Cover design or artwork by S. L. Johnson
List Price: $14.99
5″ x 8″ (12.7 x 20.32 cm)
Black & White on White paper
BISAC: Travel / General
My Wandering Uterus
A diverse treasure trove from women across the globe and from every walk of life!
This book contains memoirs, stories and poetry about the experiences of being a woman on the road — the joys, the perils, the lessons, the changes. From spiritual pilgrimages to forced evacuations, in pursuit of opportunity or to escape from the past, travel broadens the mind — and broads’ travel writing will delight your heart!
Rouze up, O Young Men of the New Age! set your foreheads against the ignorant Hirelings! For we have Hirelings in the Camp, the Court & the University, who would, if they could, for ever depress Mental & prolong Corporeal War.
William Blake, Preface to Milton
I have had some insight into a revision I need to make to my novel Hire Idiots. I’ve neglected to make clear the important role played by quislings.
Quislings are the reason the neoliberal effort succeeds. The hard-line zealots would get nowhere without them. They help normalise, apologise and internalise the reframing of education as assessment. Their efforts to ‘not make waves’ allow the system to drown in mediocrity. It’s always easier to ‘go with the flow’ in the short term, but the long term effects are deadly.
I’ve had more insight in recent years about my inability to conform to neurotypical conventions. Despite accusations, it’s not a pugnacious desire to ‘think outside the box’; it’s a kind of blindness. I can’t see the box.
William Blake: Apollyon Attacks Christian, Pilgrim’s Progress