At the McManus


The Beano takes over museum, but there’s also a portraits show on and of course old favourites — possibly obsessing a little too much about Duncan‘s Riders, but there it is.

 

A Gardener’s Grave

Wandering in the Howff today to loosen up my brain a little after some intense work on my latest essay (Celtic themes in Jonathan Strange & Mr Norrell). Just sent off the essay, so I though I would share some of the fruits of my wander.

I’m always discovering things I hadn’t noticed before. What a wonderful place this urban cemetery is. More photos on the ‘book if you’re there.

Howff Gardener 6

Smiles of a Summer Night (and Day)

welcome home

I am back in Dundee so life has improved immensely. Yes, still busy (week two of a three-week online intensive, one review written and sent, a couple of deadlines looming) but I have played with the Executive Princess, slept soundly, finished a book I’ve been reading in bits, and started watching the final series of Bron/Broen/The Bridge — Saga, how I have missed you!

No conference papers this summer, but plenty of shenanigans to come.

 

Sound Photography

Soud Photography_1

Cities and Memory have a new project up which includes my photography! Check it out to find a fascinating random connection between art and sound, evoking a sense of place from images anchored to a specific location inspiring sounds that know no bounds.

I love it when a plan comes together. Wander through the memories and sounds…or scroll down to Scotland to find my Orkney picture.

In Search of Medusa

On the town (NYC naturally) with the QoE at the Met, in the park, sharing Amity, and a drink with Katya. More pix on the ‘book.

 

On the Road Again

It’s Easter so the pop culture scholars gather at PCA: this year it’s in Indianapolis so my big plan is to finally see the Vonnegut Library. I’m rooming with gal pal Miss Wendy and we’ve already caught up with some friends the first night. Busy busy, busy, as Bokononists say.

Spreading the word of my wandering women as I go, of course! I’m giving a paper on Elisabeth Sanxay Holding’s The Blank Wall and the 2001 adaptation The Deep End.

Edinburgh: National Gallery

I love the story of Callum. I can’t recall if you weren’t allowed to photograph the Turner watercolours that are only on display in January, or if I was just too busy looking at them. I got the catalogue. It took me until the Bacon and Turner exhibit to understand his appeal, but I get it now.