NoirCon 2014 – Part 4

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Let me wrap things up: I’ve let them drag on too long, probably because I have been busier than a one-armed paper hanger since I got back. Or something like that. Fun ends and work returns and there is so much to do: I was grading papers on the train and sketching out a story in the hotel. There are no breaks for writers: there’s only writing and not writing.

There was the party though: or rather, the awards dinner. Some people really swanked up for it. I was, alas, short of any sparkling wardrobe options so I went as I was and hey, writers — so there were a lot of people to blend in with. Once again Absolutely*Kate whipped the troops into cabs, though at least a couple of the cabs had trouble getting their GPS to locate the Sheet Metal Worker’s Union Hall on the river. Swanky place!

None of the writers could quite believe that there was an open bar, but when the word spread it was like seeing a fire pass through a forest.

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There was singing, there was dancing there were ravens on the table. We had a very nice meal and a lot of chat, quite like a shindig and many tasty treats.The 4th David L. Goodis Award was presented to Fuminori Nakamura
 and the 4th Jay and Deen Kogan Award was presented to Bronwen Hruska
. Howard Rodman presented Eddie Muller with the Anne Friedberg Award for Noir Film Appreciation and Preservation and there was live music courtesy of The All Star Jazz Trio: Bruce Klauber, Bruce Kaminsky,and Andy Kahn. We danced. At some point I was inducted into the mystical order of the Black Rose Society (but my lips are sealed — for now). And there was a piñata that looked like Frank Sidebottom at the Day of the Dead. Nakamura cracked it open with a few good whacks. And then we went to the Marriott for more drinks.

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The next morning we were all (when I say “all” of course I mean those of us who were not drinking late into the night) up early for Steve Hodel’s second talk “Most Evil” in which he sketched in the case for his father as a potential candidate for Zodiac. “I’m not saying ‘he did it’ but I think he should move toward the top of the list of suspects.” Wow, it’s chilling. The weight of the evidence is really quite compelling and the thought of discovering your father as not just a killer but perhaps one of the most notorious killers of the 20th century is gob-stoppingly shocking. Despite a lot of the Black Dahlia evidence conveniently disappearing (George Hodel had procured abortions for a number of Hollywood and LAPD folks in the 40s and 50s) and Zodiac evidence being unavailable, Hodel makes a solid argument for the connections that will chill you to the bone. Do pick up his books if this is something you’re up on because wow.

I had to catch a train and missed the closing ceremony at Port Richmond Books as well as Godwin and Jay Gertzman’s Hybrid Noir panel, which I would have *loved* to see, but duty beckoned. Two years until the next one — can we wait that long?

Many thanks to the fabulous organisers, Lou Boxer and Deen Kogan, who manage to pull off an amazing experience.

6 thoughts on “NoirCon 2014 – Part 4

    • Cheers, I always like to hear about things I can’t possibly attend, so I figure there are enough folks to vicariously enjoy a write up. Glad you did. Are you going to Bouchercon? I’m going next year but can’t afford to do this year.

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