The Beano takes over museum, but there’s also a portraits show on and of course old favourites — possibly obsessing a little too much about Duncan‘s Riders, but there it is.
I love the story of Callum. I can’t recall if you weren’t allowed to photograph the Turner watercolours that are only on display in January, or if I was just too busy looking at them. I got the catalogue. It took me until the Bacon and Turner exhibit to understand his appeal, but I get it now.
During @WorldCon75 I played hookey for a day to go to Suomenlinna, the island in Helsinki’s harbour with my friend and ‘borrowed cousin’ Laura. It was a beautiful day, but as I got to the harbour I saw there was a thick bank of fog over the water. It made the day a little more magical. Here are a few pictures (more in the album on FB). Magpies, white cheek geese, wild flowers, cake, and the Toy Museum, which veered from interesting nostalgia to outright nightmarish!
Spring break has mostly been work but I did manage to make another escape to spend the day with the fabulous Stephanie down in the city. Just before another collaboration escapes on Monday, Respectable Horror, which I edited and she supplied the wonderful cover art featuring cover model Poppy. She’s not just skin and bones either!
More photos in a FB album — they’d take up too much of my storage space here — but here’s a few highlights which included stops at the NYPL, Society of Illustrators and the Met as well as fine Belgian and Thai food. Click to embiggen any of the images.
I dropped by the McManus to check out what was on and caught the Reflections on Celts exhibit which combined a few of their own treasures with borrowed items from the British Museum and the National Museums of Scotland. You can see my pictures here (along with the other two exhibits on) and read more about it here. I was unable to resist buying things in the shop but mostly kept myself to buying cards to send off to other people and a book on medieval Scotland because that is a woeful lack in my knowledge (and a potential site of new research). As you can see, Duncan’s Riders of the Sidhe has come down from the upstairs gallery to gallop through this exhibit.